{"id":10646,"date":"2026-04-04T14:03:32","date_gmt":"2026-04-04T14:03:32","guid":{"rendered":"https:\/\/www.neue-musik-brandenburg.de\/?page_id=10646"},"modified":"2026-04-08T17:13:55","modified_gmt":"2026-04-08T17:13:55","slug":"intersonanzen","status":"publish","type":"page","link":"https:\/\/www.neue-musik-brandenburg.de\/en\/intersonanzen\/","title":{"rendered":"intersonanzen"},"content":{"rendered":"

25th Brandenburg Festival of New Music<\/h3>\n

intersonanzen 2025
\n t r a n s r e a l<\/strong><\/p>\n

25th Anniversary of intersonanzen<\/h1>\n

The intersonanzen New Music Festival celebrates its 25th anniversary<\/strong>, reflecting on the past while looking ahead. Under the theme transreal<\/em>,\u00a0the festival will open its doors for eleven days, from May 8 to May 18, 2025. Featuring outstanding contemporary music at new and significant art venues in Potsdam \u2013 DAS MINSK Kunsthaus, Museum Barberini, and museum FLUXUS+<\/strong> \u2013 the festival continues its dialogue with other art forms. Additionally, a special concert will take place at Palais Lichtenau.<\/strong><\/p>\n

Contemporary chamber music meets visual art.<\/strong> With a focus on string quartets (Neo, Kairos, Sonar) and the chamber orchestra ART Ensemble NRW, as well as other top international ensembles in a total of 20 concerts, performances and installations (including Black Pencil, LUX:NM, and El Perro Andaluz), the festival fosters interaction with visual artists. Spaces are shaped \u2013 musical, sonic, real, surreal, virtual \u2013 transreal.<\/p>\n

The latest technological advancements<\/strong> in new media and the revolutionization of work processes through AI are creating unprecedented opportunities\u2014and risks. This raises fresh questions about individual perspectives: Does this lead to a new personal reality, virtuality, or even a parallel world?<\/p>\n

In a panel discussion<\/strong> led by Prof. Dr. Ulrike Liedtke, composers, artists, and experts\u2014including current Musikfonds fellows\u2014will share their experiences with AI tools and the media of today and tomorrow, engaging in a thought-provoking debate.<\/p>\n

To mark the anniversary edition, a documentary on 25 years of intersonanzen<\/strong> will be presented.<\/p>\n

The opening day on May 8, 2025<\/strong>, marks the 80th anniversary of the end of the war<\/strong>\u2014or, as it was often called in the past, the Day of Liberation.<\/strong><\/p>\n

To commemorate this occasion, we have invited Nele Hertling<\/strong> for a conversation. She is the daughter of composer Hanning Schr\u00f6der<\/strong>, whose family hid a Jewish couple in their home during the Nazi era, saving them from certain death. The outstanding NeoQuartet<\/strong> from Poland will perform his string quartet In Memoriam: Lied der Moorsoldaten<\/i>.<\/p>\n

\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n

Programm<\/h2>\n

Tickets:<\/strong><\/p>\n

www.dasminsk.de<\/a><\/strong>
<\/b>www.museum-barberini.de<\/a><\/p>\n

for museum FLUXUS+ and Palais Lichtenau:
tickets@intersonanzen.de<\/p>\n

Thursday, May 8<\/b><\/h5>\n

Opening at DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

19:00<\/strong><\/p>\n

Opening of the 25th intersonanzen \u201ctransreal\u201d with opening speakers from politics and culture.<\/strong><\/p>\n

Opening of transvisual audio pieces and media library for 25 years of intersonanzen (daily) until May 18, during opening hours.<\/p>\n

Video Works by Ralf Hoyer<\/strong> residual_risk,<\/em> Peter Paul Kubitz & Stefan Lienenk\u00e4mper<\/strong> helldunkel-mittag<\/i>, Ludger Kisters<\/strong> translucency<\/i>, Bettina Kuntzsch & Thomas Gerwin<\/strong> Klangbild#1<\/i>, Veit Lup & Lothar Voigtl\u00e4nder<\/strong> Masse+Macht<\/i>, Alex Nowitz<\/strong> Searching the Magpie<\/i>, Rose Schulze & Helmut Zapf<\/strong> R\u00e4ume II<\/i>, Zoran Terzi\u0107<\/strong> Space People<\/i>, Sabine Vogel<\/strong> I see you in the desert and hear the sea<\/i><\/p>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

Max-Planck-Stra\u00dfe 17, 14473 Potsdam<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Zoran Terzi\u0107 “Space People”<\/figcaption><\/figure>\n

19:30<\/strong><\/p>\n

Opening Concert at DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

NeoQuartet (PL)
<\/strong>Karolina Pi\u0105tkowska-Nowicka – Violin, Pawe\u0142 Kapica – Violin, Micha\u0142 Markiewicz – Viola, Krzysztof Paw\u0142owski – Violoncello<\/p>\n

Sebastian Elikowski-Winkler<\/strong> Shadows of Revolution<\/em>
Pawel Szyma\u0144ski<\/strong> Four Pieces for String Quartett<\/em>
Irina Emeliantseva<\/strong> Streichquartett WP<\/i><\/b><\/em>
Manuel Rodriguez Valenzuela<\/strong> Patres II
<\/em><\/p>\n

80 Years Since the End of the War:<\/strong> Conversation with Ralf Hoyer & Nele Hertling<\/strong> (n\u00e9e Schr\u00f6der)<\/p>\n

Hanning Schr\u00f6der<\/strong> in memoriam: Lied der Moorsoldaten<\/em> (1957)<\/p>\n

DAS MINSK Kunsthaus Potsdam<\/strong><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"NeoQartett\"
NeoQuartett, Foto: Popinigis<\/figcaption><\/figure>\n
Friday, May 9<\/b><\/h5>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

10:00\u00a0\u00a0\u00a0
<\/strong><\/p>\n

Transvisual Sound Pieces<\/strong><\/p>\n

In the transvisual sound pieces, we experience the fusion of different perspectives from contemporary and experimental music with various visual languages. We hear and see transreal video works where sound art interacts with object art, dance, nature, visuals, and, in some cases, AI-generated fantasy worlds.<\/p>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

14:00\u00a0\u00a0\u00a0
<\/strong><\/p>\n

Transvisual Listening Hour<\/strong><\/p>\n

Program see May 8 \u2013 19:00<\/p>\n

19:30\u00a0\u00a0\u00a0
<\/strong><\/p>\n

Beno\u00eet Maubrey <\/b>and the Audioballerinas<\/b>, dancers with interactive, electronic sound costumes with\u00a0Sabine Voge<\/strong>l – Flute, Frida Yngvesson<\/strong>, Malin Hessen<\/strong>, Laura Giuntoli<\/strong>, Risa Kojima <\/strong>– Dancers, Marie Rechsteiner <\/strong>– Choreography, Beno\u00eet Maubrey <\/strong>– Artistic Direction
<\/strong><\/p>\n

AUDIO BALLERINAS are dancers who generate and embody sound simultaneously. Tone and movement merge into a unity of orchestrated motions and choreographed sounds. In an expansive, multi-acoustic performance, they explore topography, spaces, noises, and lighting conditions.<\/p>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Audio Ballerinas Foto: Maubrey<\/figcaption><\/figure>\n

\t\t20:15<\/strong><\/p>\n

Sonar-Quartett
<\/strong>Wojciech Garbowski \u2013 Violin, Malin Grass \u2013 Violin, Ian Anderson \u2013 Viola, Konstantin Manaev \u2013 Violoncello<\/p>\n

Markus Wettstein<\/strong>\u00a0von nah und fern\u00a0<\/i>for string quartet\u00a0
Susanne Stelzenbach<\/strong>\u00a0Haut<\/i>\u00a0\u2013 Streichquartett Nr. 1<\/i>
Gabriel Iranyi\u00a0<\/strong>Streichquartett Nr. 5<\/i>
Sonar-Quartett <\/strong>Interplay 2025 \/ Improvisation<\/i><\/p>\n

\u00a0<\/strong><\/p>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Sonar Quartett<\/figcaption><\/figure>\n
Saturday, May 10<\/b><\/h5>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

10:00<\/strong><\/p>\n

Transvisual Sound Pieces<\/strong><\/p>\n

In the transvisual sound pieces, we experience the fusion of different perspectives from contemporary and experimental music with various visual languages. We hear and see transreal video works where sound art interacts with object art, dance, nature, visuals, and, in some cases, AI-generated fantasy worlds.<\/p>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

\u00a014:00
<\/strong><\/p>\n

Transvisual Listening Hour<\/strong><\/p>\n

Program see May 8 \u2013 19:00<\/p>\n

18:00<\/strong><\/p>\n

Teufelsberg <\/strong>Holographic quadrophonic installation by Titus Nessel <\/strong>with Gebhard Ullmann <\/strong>(saxophone) and Philipp Gerschlauer <\/strong>(saxophone) incl. concert<\/p>\n

The sound installation can be experienced until May 18th during the opening hours of the FLUXUS+ Museum.<\/p>\n

This recording in the dome of the former flight control and listening station on Berlin\u2019s Teufelsberg is based on decades of development work. For the first time, it is possible to reproduce the entire spatial impression of the recording situation accurately and realistically with four speakers. As a result, listeners feel as though they are right in the middle of the space where the music is being created.<\/p>\n

Concert Gerschlauer-Ullmann <\/strong>Murals<\/em><\/p>\n

In their sound paintings, Gerschlauer | Ullmann explore the sonic positionality of microtonality and improvised music. Starting from visual wall paintings that function as graphic scores, fragile, multilayered soundscapes emerge.<\/p>\n

Museum FLUXUS+<\/strong><\/p>\n

Schiffbauergasse 4F, 14467 Potsdam\u00a0\t\t<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Teufelsberg, Foto: Titus Nessel<\/figcaption><\/figure>\n

20:30<\/strong><\/p>\n

Ensemble LUX:NM <\/strong>Resonating Rooms: Cycles and Echoes<\/em>
a multimedia concert
Ruth Velten – Saxophone, Silke Lange – Accordion, Olga Holdorff – Violin, Zo\u00e9 Cartier – Violoncello, Neus Esarellas Calder\u00f3n – Synthesizer\/Toypiano, Martin Offik – Sound Direction<\/p>\n

Nico Sauer<\/strong> Schattenstudie 25a<\/i>, (Scholar of the AI Program of the Music Fund) (2025) WP<\/i><\/strong>
<\/i><\/b>Kristine Tj\u00f8rgersen<\/strong> – Bubbles<\/i> for Ensemble and Video (2012)
Ulrich Pogoda<\/strong> Cui bono<\/i> for Saxophone, Violin, Violoncello (2025) WP<\/i><\/strong>
<\/i><\/b>Luc D\u00f6bereiner<\/strong> Transkript<\/i> for Violin, Violoncello, Accordion and Synthesizer (Scholar of the AI Program of the Music Fund) (2025) WP<\/i><\/strong>
<\/i><\/b>Charlotte Seither<\/strong> Echoes of O’s<\/i> Video (2007)
Andreas F. Staffel<\/strong> Shadows of a forgotten Landscape II<\/i> (2025) WP<\/i><\/strong><\/p>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

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LUX:NM<\/figcaption><\/figure>\n
Sunday, May 11<\/b><\/h5>\n

9:30<\/strong><\/p>\n

Soundwalk – H\u00f6r-Expedition: Sounds of the City<\/strong><\/p>\n

Guided by: Dr. Michael Schenk & Udo Koloska \u00a0 \u00a0 \u00a0 \u00a0<\/strong> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>\n

How does our hearing change when we listen silently for 90 minutes \u2013 with focus or panoramically? Which sounds promote our well-being, and which ones disturb it?<\/p>\n

Equipment:<\/strong> Quiet footwear, non-rustling clothing
Number of participants:<\/strong> Max. 12
Registration:<\/strong> 0174-3387603<\/p>\n

Meeting point<\/strong> Potsdam main station, West exit<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Soundwalk, Foto Henry Mex<\/figcaption><\/figure>\n

Palais Lichtenau – Klavierkonzert<\/strong><\/p>\n

18:00
<\/strong><\/p>\n

Bj\u00f6rn Lehmann<\/strong> and Norie Takahashi<\/strong><\/p>\n

Piano pieces for Solo and Four Hands<\/p>\n

Frank Petzold <\/strong>Impromtu II<\/i> vierh\u00e4ndig (2014) WP<\/strong><\/em>
<\/b>Jacek Domagala <\/strong>Sonata No.2 for Piano<\/i>\u00a0(2010)\u00a0
<\/b>Martin Daske<\/strong>\u00a0Unterw\u00e4rts four handed<\/i>\u00a0(2003)
Volker Freidel <\/strong>Drei St\u00fccke aus \u00bbAtmospheres\u00ab<\/i>\u00a0WP<\/i><\/strong>
Stefan Lienenk\u00e4mper<\/strong> Auf schmalen Pfaden<\/i>\u00a0f\u00fcr Klavier Solo
<\/b>Arnulf Herrmann<\/strong>\u00a0Hausmusik<\/i>\u00a0vierh\u00e4ndig<\/p>\n

Palais Lichtenau<\/strong><\/p>\n

Kurf\u00fcrstenstra\u00dfe 40, 14467 Potsdam<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Norie Takahashi\/Bj\u00f6rn Lehmann, Foto: Arens<\/figcaption><\/figure>\n

\t\t19:30<\/strong><\/p>\n

Ramina Abdulla-zad\u00e9<\/strong> Soprano and Martin Schneuing<\/strong> Piano<\/p>\n

Albert Breier\u00a0<\/strong>Lied <\/i>for soprano und piano (2023)
Giordano Bruno do Nascimento<\/strong>\u00a0Im Gespinst<\/i>\u00a0 (2020)
Christian Jost\u00a0<\/strong>Der explodierende Kopf<\/i>\u00a0(2004)
Irini Amargianski\u00a0<\/strong>Miniaturen\u00a0<\/i>for piano (2012\/14)
Alexandra Filonenko<\/strong>\u00a0WIR<\/i> for soprano (2022)
Iris Szeghy<\/strong>\u00a0aus Hesse-Splitter I<\/i>\u00a0(2009)
Klaus Sch\u00f6pp<\/strong>\u00a0transreal<\/i>\u00a0 7 short songs (2025) WP<\/i><\/strong><\/p>\n

Palais Lichtenau<\/strong><\/p>\n

Kurf\u00fcrstenstra\u00dfe 40, 14467 Potsdam<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Ramina Abdulla-Zad\u00e9<\/figcaption><\/figure>\n
Monday, May 12<\/b><\/h5>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

10:00<\/strong><\/p>\n

Transvisual Sound Pieces<\/strong><\/p>\n

In the transvisual sound pieces, we experience the fusion of different perspectives from contemporary and experimental music with various visual languages. We hear and see transreal video works where sound art interacts with object art, dance, nature, visuals, and, in some cases, AI-generated fantasy worlds.<\/p>\n

DAS MINSK Kunsthaus in Potsdam<\/strong><\/p>\n

14:00<\/strong><\/p>\n

Transvisual Listening Hour<\/strong><\/p>\n

Program see May 8 \u2013 19:00<\/p>\n

19:00<\/strong><\/p>\n

Concert of the Municipal Music School \u201cJohann Sebastian Bach\u201d<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Museum Barberini – Auditorium<\/strong><\/p>\n

Humboldtstra\u00dfe 5\u20136, Alter Markt, 14467 Potsdam<\/p>\n

\u00a0<\/section>\n

With works by Petr Eben, Angelika and Wolfgang Thiel, J\u00fcrgen Runge, Olaf Schmalz, Stefan Einsfelder, Pieter van der Staak, Thierry Tisserand, Bohuslav Martinu, Ramon Lazkano, Wolfgang Thiel, Hans Chemin-Petit, Darius Milhaud, Alexander Tcherepnin<\/p>\n

\u00a0<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Cello-Quartett st\u00e4dt. Musikschule J.S. Bach, Foto: Rausch<\/figcaption><\/figure>\n
Thursday, May 15<\/b><\/h5>\n

19:30<\/strong><\/p>\n

Timing Questions \u2013 Richard R\u00f6bel<\/strong><\/p>\n

Contrasted sound worlds of Baroque and contemporary harpsichord music. A collaboration with the NEOS Music Foundation, Richard R\u00f6bel \u2013 Harpsichord<\/p>\n

Johann Sebastian Bach<\/strong> Englische Suite No. 6 d-Moll BWV 811
<\/i>Tobias Schick<\/strong> Between opposites 1. Arpeggio-Maschine 2. Rush Hour: Presto <\/i>(2023)
Fabian Blum <\/strong>Mythen der Noskori \u2013 Genesis<\/i>\u00a0(2025)\u00a0WP<\/b><\/i>
<\/i><\/b>Mark Andre<\/strong> Un-Fin-II\u00a0pour clavin<\/i> (2001)
Francisco Valls<\/strong> Composici\u00f3n enarm\u00f3nica<\/i> (1742)\u00a0
Dietrich Petzold<\/strong>\u00a0precise blur\u00a0<\/i>(2024)\u00a0
Babette Koblenz<\/strong>\u00a0Hope<\/i> (2018)
Adriana H\u00f6lszky<\/strong>\u00a0Decorum<\/i> (1983)<\/p>\n

Museum Barberini
<\/strong><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Richard R\u00f6bel Cembalo, Foto: prinzmediaconcept<\/figcaption><\/figure>\n
Friday, May 16<\/b>\u00a0<\/strong><\/h5>\n

Museum Barberini
<\/strong><\/p>\n

19:00<\/strong><\/p>\n

El Perro Andaluz
<\/strong>Letizia Turini \u2013 flute, Arnfried Falk \u2013 oboe, Albrecht Scharnweber \u2013 clarinet, Ruslan Kratschkowski \u2013 accordion<\/p>\n

Ralf Hoyer<\/strong> Spuren, verbleibend <\/em>for accordion, clarinet and playalong (2017)
Thomas Gerwin<\/strong> BiPol IX<\/em> for flute, oboe, clarinets and accordion (2025) WP<\/em><\/strong>
Benjamin Lang<\/strong>\u00a0S\u00f8mnakongens hat WP<\/strong><\/em>
Yang Song<\/strong> Petrichor II<\/em> for flute, oboe, clarinet
Iris ter Shiphorst<\/strong> Fragmente <\/em>for 2 woodwinds, bass oboe and bass clarinet\u00a0(2022\/23)<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
El Perro Andaluz, Foto Heike Antoci<\/figcaption><\/figure>\n

\t\t\u00a020:30<\/strong><\/p>\n

Kairos Quartett
<\/strong><\/p>\n

Rui C. Antunes \u2013 Violin, Fiona Milla J\u00e4ntti (as a guest) \u2013 Violin, Simone Heilgendorff \u2013 Viola, Claudius von Wrochem \u2013 Cello<\/p>\n

Carola Bauckholdt<\/strong> Lichtung<\/em>
Ludger Kisters<\/strong> Streichquartett Nr. 3<\/em> with live visuals
Makiko Nishikaze<\/strong> mo-ve<\/em> with video projection<\/p>\n

Alex Nowitz<\/strong> Unruhe ist <\/em>string quartet (2000)<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Kairos Quartett Foto: L\u00f6ffler<\/figcaption><\/figure>\n
Saturday, May 17<\/b>\u00a0<\/strong><\/h5>\n

Br\u00fcckenkonzert Eberswalde<\/strong><\/p>\n

Paul Wunderlich-Haus Eberswalde<\/strong><\/p>\n

Am Markt 1, 16225 Eberswalde<\/p>\n

10:30<\/strong><\/p>\n

Good Morning Eberswalde<\/strong><\/p>\n

El Perro Andaluz
<\/strong>Letizia Turini – flute, Arnfried Falk – oboe, Albrecht Scharnweber – clarinet, Ruslan Kratschkowski – accordion<\/p>\n

Program see 16 May<\/p>\n

19:00<\/strong><\/p>\n

Irene Kurka<\/strong> \u2013 Soprano, Marko Kassl<\/strong> \u2013 Accordion<\/p>\n

Martin Wistinghausen<\/strong>Drei Lasker-Sch\u00fcler-Lieder<\/i> for soprano and accordion (2024) WP<\/i><\/strong>
<\/b>Julia Deppert\u00a0Lang<\/strong> Halt ein, ma\u00dfloser Fr\u00fchling\u00a0<\/i>Duo (2025)\u00a0WP<\/i><\/strong>
<\/b>Xuan Yao<\/strong>\u00a0Radienergia<\/i> for accordion
<\/b>Jan Cy\u017e<\/strong>\u00a0kkk \u2013 transreal<\/i>\u00a0(kandinsky-kurka-kassl) Duo (2025) WP<\/i><\/strong>
Mayako Kubo<\/strong> Little Confessions for soprano and accordion<\/i>\u00a0(2024)\u00a0WP<\/i><\/strong>
Stefan Lienenk\u00e4mper<\/strong>\u00a0Der Tag<\/i> for voice, accordion and playback (2025)<\/p>\n

\u00a0<\/p>\n

Museum Barberini<\/strong><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Irene Kurka, Foto: Tanja de Maan<\/figcaption><\/figure>\n

\t\t20:30<\/strong><\/p>\n

ART Ensemble NRW <\/strong>Chamber orchestra
<\/strong>Pia Marei Hauser – flute, Saskia Buxbaum – oboe, Pawel Kuterbach – clarinet, Marko Kassl – accordion, Martin Schminke – violin, Yuliia Chemerys – violin, Till Mengler – viola, Jana Simic – violoncello, Fumitaka Yoshikawa – double bass, Miro Dobrowolny – conductor<\/p>\n

Helmut Zapf<\/strong>\u00a0Four Broken Frames for Four Broken wood Frames<\/i>\u00a0(2023)
<\/b>Katia Guedes<\/strong>\u00a0Die F\u00fc\u00dfe unter dem Boden<\/i> for video, tape and quartet WP<\/i><\/strong>
<\/i><\/b>Miro Dobrowolny <\/strong>Suite sur l\u2018 accord mystique <\/i>Septet (2013\/25) WP<\/i><\/strong>
<\/i><\/b>Henry Mex<\/strong>\u00a0Sonnenwind <\/i>for Chamber orchestra (2025) WP<\/i><\/strong>
Erik Janson<\/strong>Complex dancing colous <\/i>(2025) WP<\/i><\/strong>
<\/i><\/b>Johannes Hildebrandt <\/strong>Viele K\u00e4fer\u00a0<\/i>(2025) WP<\/i><\/strong><\/p>\n

Museum Barberini<\/strong><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
ART Ensemble NRW, Foto: ARTEnsemble<\/figcaption><\/figure>\n
Sunday, May 18<\/b>\u00a0<\/strong><\/h5>\n

DAS MINSK Kunsthaus in Potsdam, Final Day of the 25th Intersonanzen<\/strong><\/p>\n

15:30<\/strong><\/p>\n

\u00a0Viola Yip<\/strong> – Liminal Lines<\/em> Performance<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Viola Yip Foto: Nina Buttendorf<\/figcaption><\/figure>\n

16:00<\/strong><\/p>\n

Symposium
<\/strong>Prof. Dr. Ulrike Liedtke, Luc D\u00f6bereiner, Nico Sauer, Viola Yip, Zoran Terzic, Matthias Hornschuh and composers of the BVNM<\/p>\n

19:00<\/strong><\/p>\n

Black Pencil<\/strong> (NL)
Jorge Isaac – Recorders, Matthijs Koebe – Panpipes, Enric Monfort – Percussion, Esra Pehlivanli – Viola, Marko Kassl – Sccordion<\/p>\n

Ruud Roelofsen<\/strong> Wraith II<\/i> (2021)
Samuel Tramin<\/strong> Cavemusic II (1 Samuel 22)<\/i>\u00a0 for recorder(s), pan flute(s), viola, accordion, vibraphone\/percussion and electronic WP
<\/em><\/strong>Peter K\u00f6szhegy<\/strong> Pearl <\/i>for recorders and percussion WP
<\/i><\/strong>Sabine Vogel<\/strong> wind driven<\/i> for contrabass panflute and tape (2025) WP
<\/i><\/strong>Hugo Morales Murgu\u00eda<\/strong> Picture<\/i> (2024)
Steffen Schellhase<\/strong> musik f\u00fcr Ensemble 2025<\/i>\u00a0WP
<\/i><\/strong>Akim Moiseenkov<\/strong> Beauty Lies Around the Corner<\/i> (2024)<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Black Pencil, Foto: Joe Finch Meijer<\/figcaption><\/figure>\n

WP <\/strong>= World Premiere<\/p>\n

ALL INFORMATION IS PROVIDED WITHOUT GUARANTEE \u2013 SUBJECT TO CHANGE<\/p>\n

\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n

Artistic and Organizational Direction: Henry Mex<\/strong><\/p>\n

Intersonanzen Team: Xuan Yao<\/strong>, Susanne Stelzenbach, Gabriel Iranyi, Stefan Lienenk\u00e4mper, Irina Emeliantseva,
<\/strong>Documentation: Dietrich Petzold, Leon Fiedler <\/strong>und Sebastian Rausch<\/strong><\/p>\n

Patron: Dr. Manja Sch\u00fcle, Minister for Science, Research, and Culture of the State of Brandenburg<\/p>\n

Organizer: Brandenburgischer Verein Neue Musik e.V.<\/strong> in cooperation with the venues DAS MINSK Kunsthaus in Potsdam, Museum Barberini Potsdam, Museum FLUXUS+, Palais Lichtenau, and the events Guten Morgen Eberswalde and Cottbuser Musikherbst.<\/p>\n

Further Cooperation Partners: Landesmusikrat Brandenburg, St\u00e4dtische Musikschule Potsdam, NEOS Music Foundation<\/p>\n

With the kind support of the MWFK Land Brandenburg, the City of Potsdam, the City of Cottbus, and the City of Eberswalde.<\/p>\n

Reservations: For museum FLUXUS+ and Palais Lichtenau, please contact: tickets@intersonanzen.de
<\/strong>For DAS MINSK Kunsthaus in Potsdam\u00a0visit: www.dasminsk.de<\/a>
<\/b>For Museum Barberini visit: www.museum-barberini.de<\/strong><\/a><\/p>\n

WE THANK THE INSTITUTIONS AND COOPERATION PARTNERS<\/p>\n

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\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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